My wife suggested we go see it, when we had a free evening. I was willing, but not enthusiastic. In the end, we ended up not doing that instead. The film had good word of mouth, and I know Nolan to be a competent director, but the excitement to do it wasn’t there. And according to Variety, my experience is microcosmic:
Christopher Nolan’s “Tenet” willed itself past the $300 million mark globally this weekend even as the overall domestic box office appeared to be on the verge of collapse.
Disney’s “Hocus Pocus,” a Bette Middler comedy that flopped when it was initially released in 1993, but became a cult hit on cable and streaming, almost matched “Tenet’s” grosses in North America and beat those of “The New Mutants.” Re-released just in time for Halloween,” “Hocus Pocus” picked up $1.9 million from 2,570 theaters. “Tenet” earned $2.7 million from 2,722 venues, pushing its domestic haul to a paltry $45.1 million. “The New Mutants” eked out $1 million from 2,154 locations, bringing its domestic total to $20.9 millionVariety.com, “‘Tenet’ Tops $300 Million Globally, but Domestic Box Office Is in Crisis Mode“
Getting beat by “Hocus Pocus” (a film whose charms have always eluded me), is newsworthy enough, but the deeper question is why? There’s a whiff of a suggestion in the article that the Pandemic is to blame, but I’m not buying it? If people are willing to come out for a re-release of a Bette Midler cult hit, why not a buzzworthy film from a seasoned director? Is this just Millennial Nostalgia choking off the roots of everything else, like a weed?
Or is this the Uninteresting Name factor, as with “John Carter” back in 2012? I for one wondered what “Tenet” was supposed to refer to? A tenet of what? For whom? What kind of movie is this? Arty? Action? Arty-Action? The name doesn’t tell you anything. All we have to go on is director-name-recognition. And it appears Nolan is no Tarantino in this regard.
It might be that the pandemic suspicion is correct, in a different way. It might be that the habit of Going To The Movies is fundamentally altered, and we don’t go to the cinema anymore unless we really feel it’s “worth it”. Things were moving in this direction anyway, and the lockdowns didn’t help. Sure, “Tenet”, whatever it is, might be good, but I don’t know, and do I want to pay $40 to find out? I’ll just wait for it to stream.
The consequences of this are real. If Hollywood can’t sell a big-name director, with a lot of buzz, then their business model is fundamentally flawed.