I Don’t Care If Cuties is a Good Movie

It seems that people have been left by their education unable to put values in the correct order. People who consider themselves intelligent and sober are defending twerking 11-year-olds for no better reason than to annoy conservatives, because apparently child exploitation doesn’t count if it’s done on the set of a movie in France.

Let’s just go ahead and stipulate that the film is well-made. Hell, let’s stipulate that the overall message is something on the order of “sexualizing children is bad and we shouldn’t do it.”. Let’s say it merits the Palm d’Or it’s now guaranteed to get.

It still sexualized kids in order to make it, and is therefore bad and shouldn’t have been made.

Let’s talk about values. On the one hand, there’s not exploiting children in real life. On the other, there’s making art. Which is more important? Think hard.

Just in case you need me to spell it out for you, Art has merit as an expression of ideas, or as entertainment. Entertainment isn’t bad, but it’s a lesser good than expressing ideas or values in a truthful way. And both of them are lesser goods than living out your values with choices and actions.

Charge of The Light Brigade, entertaining as it may be, is thus diminished by the number of horses that were injured or killed in the making of it. We prefer that the safety of living things not be sacrificed to make a military potboiler. That shows values out of proportion. No one says “Hey, let’s give Harvey Weinstein a pass because he bankrolled Tarantino’s filmography.” That’s ridiculous. Art does not excuse crime.

Charge of the Light Brigade, 1936. A trip-wire was used to make horses fall down at an appropriate moment. 25 horses died as a result. Eroll Flynn was so enraged at the ill-treatment of the horses, he nearly physically attacked the director.

A movie that salaciously depicts girls dancing inappropriately is thus not excused by the quality or truthfulness of its message. It’s still bad to do that. It should not be done. Everyone seemed to understand the importance of preserving the innocence of pubescent children when Stranger Things happened. And they weren’t being sexualized by the show they were on.

For the record, I don’t think most people defending this film is doing so out of a wish to normalize the sexualization of children. It’s just a pattern they’ve fallen into. A piece of risque art is made. Conservatives and other groups make a big noise about it. Therefore, they must be Phillistines who just Don’t Get Art. Don’t you see, you knuckle-draggers? Don’t you see the Nuance and the Bold Look it takes, you Satanic-Panickers, you?

Very filmmaking. Much Art. Wow.

And again, let’s say it’s all those things. That’s still not good enough to justify what is done to produce it. The industry that has a long and savage history of exploiting adult women (and men) does not get the benefit of the doubt when it comes to children. Maybe back when Free Expression was still argued as a Primary Good, you could have slipped this one by. But we don’t live in that world anymore. We haven’t for a while now.

Therefore, I do not care. To the void with it.