In retrospect, both of the statements in this headline invite a “duh” response. HBO’s current stock-in-trade is prestige TV series, and it’s been apparent since the second season of True Detective that prestige television is an exercise in miserabilism. Nothing good can happen and everyone of value has to die or lose what they love unless they’ve tacked up enough suffering points (looking at you, Sansa Stark) to trade in for a happy ending. It has become its own set of tropes.
And of course, when real life gets shoved into a TV script, the exercise of creating a narrative for audiences to follow will simplify a lot of the messiness of actual truth. That’s completely understandable and not worth commenting on. But when a show deliberately ramps up the misery, and evades truth to do so, that deserves notice.
There is no good evidence that Chernobyl radiation killed a baby nor that it caused any increase in birth defects.
“We’ve now had a chance to observe all the children that have been born close to Chernobyl,” reported UCLA physician Robert Gale in 1987, and “none of them, at birth, at least, has had any detectable abnormalities.”
Indeed, the only public health impact beyond the deaths of the first responders was 20,000 documented cases of thyroid cancer in those aged under 18 at the time of the accident.
The United Nations in 2017 concluded that only 25%, 5,000, can be attributed to Chernobyl radiation (paragraphs A-C). In earlier studies, the UN estimated there could be up to 16,000 cases attributable to Chernobyl radiation.
Since thyroid cancer has a mortality rate of just one percent, that means the expected deaths from thyroid cancers caused by Chernobyl will be 50 to 160 over an 80-year lifespan.
Tarakanov: There’s this episode [in the HBO series], it’s is an ugly one. They show this boy, a conscript arriving at the military compound. What comes next is just ridiculous. They give him a uniform and moments later they are teaching him how to shoot animals. I mean, that’s just silly. Nothing even close to that ever happened. This is one serious mistake.
RTD: Are you saying they never executed animals, like they show in the episode?
Tarakanov: No, they did, but never in the residential area. In the residential parts, there were no cows, no dogs – not a single one. The shooting did take place, but it was in the forests, where wild animals still roamed, including deer, as well as cattle that wandered off after the evacuation. But to show this young boy, recently drafted, being given all this equipment straight away [is just absurd].
The way it actually happened was pretty simple. The government issued a decree announcing general mobilization. They were supposed to call in 20,000 reservists, as they were called, from, say, Moscow and elsewhere… Those were all men of conscription age, between 30 and 40, mostly.
To ask the question of why this change was made is to answer it. The emotional impact of seeing a young boy being ordered to shoot animals next to what was a family home is much greater than a 30-year-old man shooting a deer in the forest. We need that emotional impact. We need that gut-punch. That’s why people watch something like Chernobyl, and that’s why HBO makes it.
It’s a high-brow soap-opera, aspiring to be Aeschylus. In the process, actual humans are turned into props, puppets, and beasts. There’s a segment of society that feels its worldview pandered to thereby.
I had no idea HBO was even doing this, and my instinct is to scrunch up my nose at it. I like the original graphic novel and found the film merely okay (among other things, they didn’t do the Comedian right). It was a provocative examination of super-hero tropes at the time, but I don’t know if it has any real purpose today. I mean, TheIncredibles hit the same themes in a family-friendly Pixar flick. Do we really need to Subvert The Superhero more than we already have?
And I’m a bit worried about HBO (and others) doing miniseries after miniseries based on existing hit IP’s. They’re going to start expecting everything to be Game of Thrones, and that’s not going to work for premium cable TV any better than it’s worked for Hollywood expecting everything to be Titanic.
The cast of HBO’s “Watchmen” pilot continues to grow. Yahya Abdul-Mateen II and Sara Vickers have both joined the project, which hails from Damon Lindelof. As with previous “Watchmen” casting announcements, HBO provided no details about the characters the two will play. They join previously announced cast members Regina King, Don Johnson, Jeremy Irons, Tim Blake…