The gang (we're a gang now) discuss H.R. Gieger's particular brand of accessible horror-art, its origins, meaning, and influence, and about ten other subjects as our flow (and pronounciation of the man's name) keeps tacking back and forth like a whirligig in a hurricane. Good times.
For this episode, we’re joined by Kyrin Krause, who’s been the graphic designer creating all the covers for Unnamed Journal. Generally speaking, the more the merrier with podcasts, and we definitely had fun in our rhetorical wanderings this time.
No, not really. That’s the sort of click-bait stuff that everyone talks about as the Almagamation of Awesome, but no one actually reads. And with good reason. Juxtaposition for its own sake usually hides a paucity of narrative. Instead, an authorial update to announce progress.
First, I have in fact, completed a thing long talked ofThe Meditations of Caius Caligulia. Which is to say, I have completed a rough draft. I consider it a skeleton about which meat can be hung. I need to do some more deep diving into Virgil and Lucretius and Ovid before I can flesh out the Un-Mad Emperor’s thoughts and story. But it’s done. The sixth Chapter, On Conquest, will appear in the October issue of Unnamed Journal. The final chapter, On Death, will appear sometime over the winter, with the complete volume.
Second, I have also completed a rather long short story, Cantilever Jones Runs Hot, set in a space opera galaxy of my own devising, a universe that goes under the name “Gods of the Sky”. There’s a good few stories set in this universe, including two previous Cantilever Jones stories, and some Death-emperor vs. Star Buddhists expositions. I’m building the universe in shorts, with an eye towards a novel. I’ll probably put a collection out sometime next year. This story will also appear in the October UJ. The story clocks in at around 7,000 words, which is borderline a novelette. It can be frustrating when you’re trying to get a story finished, but also exciting when it keeps taking on a life of its own. But when your hero is trying to survive a battle he didn’t create on a jungle planet inhabited by velociraptors, you just go with it.
Anyway, I will be moving on to other projects shortly. Watch this space for publication details, and enjoy some cover art concepts while you do.
What you’re looking at here is the standalone stories from Volumes 2, 3, and 4 of Unnamed Journal. These include some very weird tales and some hilarious pieces as well. We’ve got Kaiser Wilhelm yelling at his generals in “How I’m Pretty Sure World War I Started”. We’ve got a strange love affair with a scarecrow in “Lost in the Cold, Strange Pleasure of the Night”. And perhaps my favorite piece, a primordial bureaucracy harnessing the typing power of simians to create the boundaries of reality in “Infinite Monkey Union.”
It’s on the Shallow & Pedantic Patreon, available to all Patrons, for the next 10 days. If you’ve ever thought about subscribing, now’s the time. Subscriptions are $1/month at the basic level, $2/month for upper-tier (which gives you early access to podcasts and other things).
We’re also going to make it available for direct-sale on our Gumroad for $5 even, starting next week. Now might be a good time to pick up our most recent issue. Use the discount code “uj23” to get $1 off.
This went up on the Patreon last week for subscribers, and went up on iTunes and Spotify not long after. It a podcast in theme of earlier episodes: exploring the gulf between a novel and its film adapation (in this case, The Shining) and what it is that Horror does. There’s some loud mike action in the early part of the episode: we were recording through masks and Mike brought his a little too close. But that evens out after the first stinger.
Now would be a good time to repost that Patreon link. There’s a new issue of Unnamed Journal out this month, and the way to get it is to be a subscriber ($1 a month) or buy it direct from our Gumroad. More on this in the coming days.
Currently, I’m trying to launch a brand. I dislike that phrase but there it is. I’ve set up the following things:
A YouTube Channel
A Gumroad (soon)
Additionally, I’m producing content for the next issue of UJ (out next month), and I’m trying to grease the creative wheels on a novel I’ve started. This is a lot for one man to do, when he has a household to manage.
On top of this, I’m doing it with minimal support. We have our fans, and even Patrons, but we don’t have a publishing house or an agency or even a website. We are a fart in a hurricane attempting, at this point, to be a louder fart.
This cannot but cause frustration. That feeling of shouting into a void. So the other thing I must manage is the black dog, which comes sniffing around the barn at odd hours and making a pest of himself. The struggle to be heard in the internet age is a real struggle.
There’s a book I’m reading related to this, called Deep Work, which I’ve started but put down so I could finish The Shining (more on that in another blog). It’s only tangentially about the internet and more about the way one needs to manage one’s time and inputs in order to do truly ground-breaking work. It has given me insight. While I’ve enjoyed reading the stuff that’s been created for the UJ Singles Collection (coming soon!), I can’t help but feel the wish to get to the next level. As my post about critics argued, art must come from artists, so the art can only reflect the artist. If the artist is distracted, what happens?
One of the things we’ve used UJ for is world-building. I’ve created some shorts in a fantasy world, Cevalon, that I conceived long ago. I’ve sketched out a space opera universe as well, under the tentative title “Gods of the Sky”. And there’s the Drunk Vampire Hunter stories, and Catakuri, and various serial novels, such as the recently finished Ulysses and the Fugitive.
Each of these are going to get their own books on Gumroad going forward. The Singles Collection is the omnibus for everything else: all the tragedies, dystopias, monsters, metaphysics, and screeds we’ve published in the last few years.