Break Over. Time for New Work.

When you finish a big project, you’re allowed some downtime. Now that The Sword is in the hands of readers, I’ve been letting myself do nothing. Now it’s time to get the juices flowing again.

I’ve got some stuff to write for the next UJ, and I might squeeze out a novella before the year’s out, while doing an edit on The Sword. That’s doable in the next few months, and doable gives me momentum for the next big project:

It’s sword and sorcery. It’s high fantasy with a Robert Howard flair. It’s going to be rad.

Stay tuned.

When Creation Stories Sync – Veda and Bible

Doing a bit of research for a later novel set in a fantasy world of my own devising, I finally got my mitts on a cheap translation of (selections from) the Rig Veda. I do this because my world has a Trimurti of deities in differing similar roles to Brahma, Vishnu, and Shiva. The written-but-unpublished first novel from this world, The Island Prince, makes mention of them.

Anyway, I’m reading the hymn known as the Golden Embryo, or the Unknown God, and I do find some striking similarities in the phrasing between it and the first chapter of Genesis. Both start with “In the Beginning”, both reference a “dome of the sky” and both speak to a mastery over the waters.

The difference lies in the Vedic uncertainty of which god did it – each line ends with “who is the god whom we should worship with oblation?” – when the Bible is quite certain who did it and in what order. Also there’s no mention of living things. Whoever this originator of creation – named Prajapati (“Lord of Creation” in Sanskrit) – might be, he’s not here connected with lower beings, save by the act of worship.

I rather enjoy the rhythm of the hymns as well. Stuff to absorb for later works.