In the last issue of UJ, I penned an essay about how I felt regarding the end of Game of Thrones. In that essay, I argued that the spirit of Martin’s work is essentially pagan, and the influence of Robert Howard is far more present than that of Tolkein, who filled his work with a Catholic ethos. That’s not necessarily a bad thing: Beowulf is at least as pagan as it is Christian (anyone who argues that it’s basically a pagan worldview with Christian seasoning won’t get much argument from me), and it’s a rich epic. But it ends on a down note, one of death and fear and cold. So does Game of Thrones, which has its one incorruptible hero cast aside like trash, basically so the show could pull one more sucker punch.
And here’s Martin, in his notablog, barbering on about this years Hugo awards, as if anyone cares:
I am not a believer in any afterlife, and I don’t think that Gardner was either… so as nice as it would be to think that he was looking down on us from the Secret Pro Party in the Sky, I can’t.
And there you have it, really. Death is a sleep. The Void is King. Jon Snow was always going to become Nothing, because there’s nothing out there to become.
Which makes me start to doubt about his commitment to finishing. Especially since he’s teasing his fans as to the damn prequel series for HBO. In some part of his mind, A Song of Ice and Fire is already finished, and the idea of putting in the work to actually finish it feels like a gigantic slog. This whole thing was over the minute the series overtook the books.
Garbage Pseudo-Psychology? Possibly. Despair? Definitely.
Doesn’t mean I’m wrong, though.