Was, whatever. Any perusal of his filmography — especially from the Era of ’68 — could have led me to that conclusion. But reading Godard on Godard, his collection of film criticism I earlier linked to, has rather shoved my nose in it, to a distasteful degree.
In his obscure five-run magazine Gazette du Cinema, Godard wrote a piece called “Towards a Political Cinema” sometime in 1950. It begins thusly:
One afternoon towards the end of a Gaumont newsreel, my eyes widened with pleasure: the young German Communists were parading on the occasion of the May Day Rally. Space was suddenly lines of lips and bodies, time the rising of fists in the air. On the faces of these young Saint Sebastians one saw the smile which has hunted the faces of happiness from the archaic Kores down to the Soviet cinema. One felt for Siegfried the same love as that which bound him to Limoges. Purely through the force of propaganda which animated them, these young people were beautiful. “The beautiful bodies of twenty-year-olds which should go naked”
Yes, the great Soviet actors speak in the name of the Party, but like Hermione of her longings and Lear of his madness. their gestures are meaningful only in so far as they repeat some primordial action. Like Kierkegaard’s ethician, a political cinema is always rooted in repetition: of history. The actor infallibly becomes what he once was, the priest. The Fall of Berlin and The Battle of Stalingrad are Masses for a consummation.
He at least has the honesty to acknowledge propaganda as propaganda, and to absolve it, as everyone does, by its intentions. Communists always get their alibi.
One wonders if it occurs to Godard that the little Saint Sebastian’s has little choice in whether they were there or not. Under communism, everything not forbidden is compulsory, and everything compulsory is to be embraced with the enthusiasm of addicts. After a while, this simply becomes conditioning. One also wonders if this did occur to him, and this is precisely the reason he likes it. By the effacing of the individual alone can New Soviet Man be built. That’s why the gulags and the trials and the mass starvation were not accidental, not unintended aberrations of Communism. They were precisely the point. By terror are the little virgins sacrificed to appease the great God History.
There is nothing about this philosophy that is not Satanic.
One thought on “Godard is a Godless, Worshipful Communist”
what are you pursuing when you came across this nonsense?