Content Blues, The Podcast – Episode 2: Zarathustra’s Funko Pops

This has become a more easily replicable format than Thumbs Down/Thumbs Up, as I don’t have to pretend that I’m doing anything but observing what I’ve encountered. Half an hour is about right for a program such as this, where I’m really just talking directly into the microphone. Shallow & Pedantic has three regulars now, so it clocks in about 90 minutes. This math checks out.

This episodes topics:

  • Why Blade Runner 2049 is the Best Sequel Ever
  • Miles Davis’ Get Up With It and the concept of Fusion Jazz
  • Zero HP Lovecraft’s The God Shaped Hole
  • Why Funko Pops are Of the Devil.

You can listen to it on:

Shallow & Pedantic 13: Let us Now Abuse Kevin Smith

Not really. I think I had that in mind when I conceived the episode, but when it came time to do the recording, we were far more even-handed. Kevin Smith has moved beyond his View Askew films from the 90’s, and although he’s done other things the universal critical consensus is that he’s never really grown as a filmmaker. So our conversation gets into the Why of that. We have some pretty interesting conclusions.

I’m adding a bunch of links this time, from a variety of our distribution channels. First Spotify:

Then iHeartRadio:

WordPress doesn’t seem to want to embed the Deezer link, and the Spreaker link is always glitchy, But here’s the feed as it appears on PodcastAddict:

Kevin Smith is Henry Rollins Shallow & Pedantic

Lucky 13! We have a serious discussion of the filmography of Kevin Smith, comparing him to Quentin Tarantino, Charles Bukowski, and Henry Rollins. We mostly focus on Smith's "classic run" of View Askew films from 1993 to 2001.
  1. Kevin Smith is Henry Rollins
  2. Würrk, Dåmmit, or Let's Do the Goth Dance Again
  3. Andrew Has Opinions About Dune
  4. Go Team Phrasing!
  5. Anime 101

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Comparing Apple Music and Spotify, angrily.

The definition of first world problems, sure, but if you want to pay money to curate your own music streaming experience, it’s good info.

I like the snark at the top.

For me, the only legitimate choices seem to be Spotify and Apple Music. I’ve chosen not to test other streaming services like Google Play Music (Sound Ears Noise Yes), Amazon Prime Music, and Pandora (I want to escape the radio not have a worse version of it) for various reasons. I’m sure there are many great reasons to like any of those other services (there aren’t), but I don’t want to hear about them (write your own post about them if you love them).

Pandora can be utterly tedious, but it has the advantage of being free. I’m not paying $14.99 a month to break my data overages. Call me old-fashioned, but I have mouths to feed.

Read the whole thing, if you want to know why Spotify is moderately better than Apple Music.